Harmonized Scales and Modes

I have learned SO MUCH from harmonizing the descending form of the major scale, the aeolian mode, the dorian mode, and the mixolydian mode. In the DAD tuning, I start with the D Major Scale up at the 7th fret of the bass string, and move down the fingerboard to 6+, then 5–4–3–2–1–0. The basic idea is to build a chord on each bass note, using mostly the primary triads (D, G, and A or I, IV, and V). I usually like to put Em in place of the G the second time around. to give things a touch of color and to add a little variety.

Here is a 2-page pdf in waltz time with two measures on each chord. The first 16 bars of each exercise has block position chords, and the arpeggios follow below. You can make up your own arpeggios for this as well: be creative!! .

Learning Chords in DAD Tuning (Part 2)

In the first installment of our D Major chord exercises, we took a look at some of the most basic ways to play the D-G-D-A-D sequence of chords. This time we’ll try some ascending chord forms to give a little variety and movement to the progression.

Now you might be wondering what else you can do with these chords once you try these specific forms. I think one of the first ideas that comes to mind is the universal “Cabbage Chords” progression. Many beginning students of the dulcimer learn the chorus part to the folk song “Bile Dem Cabbage Down” before they learn any other chords:

Now these chords go by pretty quickly, and one way to make them last longer is to “stretch-out” the progression so there is twice as much time on each of the chords. (I have always called this the “Stretched Cabbage Progression”). You can also try the progression in 3/4 time as a waltz……it makes a great Country Waltz!!

Magical, Peaceful Instrumentals Playlist

This is one of my favorite playlists of the ones I curate myself on Spotify. It has a wide variety of instruments and genres, but the common theme is a simple, folk-oriented approach to melody and harmony. You’ll hear some minimal pieces on piano by some of my favorite players, some great accordion work by the amazing Maria Kalaniemi, or some mesmerizing modal compositions by Whalebone (UK-based ensemble).

Some New Tunes!

Golly, this quarantine has led to a whole bunch of creative work from so many artists all over the planet! I have been incredibly busy too: working on formatting block chord TAB in a table format on this blog (A LOT harder than you might think!!!), learning Finale (for the 3rd or 4th time!), and laying some new track ideas in Logic Pro X, which is the subject of this post.

Here is a tune I recorded a few days ago:

SummerTune No. 1

May 2020 Dulcimer!

NEW RELEASE On Bandcamp!!!

Bandcamp is forgoing their share of revenue today, May 1st, so if you decide to download some of my new music, I will get 100%. This is a very helpful and generous gesture from a GREAT company! Many of us musicians and music teachers have been hit pretty hard by this COVID-19 Quarantine: we’ve had many gigs cancelled and festivals postponed or cancelled altogether. So this income helps a LOT!

My brand-new May 2020 Dulcimer EP just went live at around 7AM this morning. There are 6 tracks here representing some of my BEST work-in-progress. It is not available anywhere else (yet, anyhow) and all my recent EPs from earlier this year are “Pay what you want” including ZERO (you just enter “0” in the pay field).

Jerry Rockwell at Bandcamp

I hope everyone is getting through this COVID-19 Quarantine OK. Not much fun for us here in Northeast Ohio, but we’ve got some acres of trees around us, and life isn’t too different in many ways.

Skip’s Round (and Jam-A-Round!!) TAB and Music Download

This original tune is part of my 2017 Patreon lessons, and it is a FUN tune I keep coming back to over and over.

1.) The first page is basically the main melody (16 bars), with an 8-bar sparse bass part at the bottom. The latter may be used as sort of a ground for the whole tune, even though the next two pages have some specific “ground” parts to be used throughout – especially for group play.

2.) These next two pages are the parts for a round or a “Jam-A-Round” as I like to call it. This basically means that you can plug in any 8-bar part anywhere you want, so you have freedom to mix-and-match.

You’ll see some very “bare-bones” parts on these pages, consisting mostly of half-notes. These represent what you might call guide-tones or structural pitches. These are really cool, as they show us the overall contour of a melodic design: kind of the essence of a melody.

For me personally, they often serve as clues for when I want to change chords or harmony. For example, if I see a continually-descending melodic line, that’s my cue to try an ascending harmony part. This often creates a workable harmony with a minimum of “thinking” !!

The other use for these bare-bones parts is that they make a GREAT group playing experience, especially for players just getting started!

3.) The last two pages were the Intermediate Level when I first published them in 2017. As I’m looking back on them, and playing through them again right now, I’m getting oodles and boatloads of ideas!! I’m even writing some brand new parts!!! These color-chord harmonies add just a touch of jazz harmony with the minor 7th chords, but I have to be careful not to use too many — and not to use any Major 7th chords at all — because the result is often way too sweet and thick. (remember that much of my current music is extremely simple and minimalist, so that I’m really a less-is-more sort of guy. You may want to try more of the “tall chords” like the seventh and ninth chords for your own arrangements).

Descending Harmonized Scales (and Modes)

In the beginning of 2014, I was just starting my relationship with Mailchimp, one of the best email marketing companies on the planet, and I was really excited at that time with building chords off of each degree of a descending scale or mode. Here is an example of one of the pieces I recorded for my Starlight Variations EP:

Slow Descent (from Starlight Variations)

In my newsletters, which were sent twice a month in those days, I would link free downloads of some TAB and music for these studies of harmonized scales. Here is a collection of them for you (tuning is DAD throughout):

Want to hear more of these studies? Please let me know, because I have quite a few of these that haven’t been officially released on the streaming platforms. Thanks for listening and trying out the TAB!

Relaxing Dulcimer Tunes

https://open.spotify.com/playlist/6m5omBqEX7RkVCGF1F5qHc?si=-KJD8DMORBSRotpLOKLRAw

This playlist on Spotify has a good sampling of my recent recordings of electric and acoustic dulcimer. Most of this music is extremely relaxing and soothing: great for winding down, chilling out, meditating, or even sleeping!

If you like this playlist, I have some huge playlists on Spotify featuring some of the finest acoustic guitarists on the planet, along with some folks who play other string instruments, like harp, hammered dulcimer, and even Chapman Stick!!

https://open.spotify.com/playlist/4nP9Y0YtF9prGlShavLuDJ?si=8Ss904s0Skuat6V_t4fVgQ