New EP Release!

I have a brand new 7-track album of meditative instrumentals on my dulcimer, available at bandcamp. This collection is focused mostly on my baritone dulcimer (tuned AEAA in 4-string equidistant spacing). Some of the selections are out here on bandcamp before their official release dates: Mystic Light Meditation, and Lullaby for Kate.

Along with the extra warmth and richness of the acoustic/electric baritone, these are more ambient and immersive productions than most of my recent output. They should be great for meditation, yoga, daydreaming, or just getting some restful sleep.

https://jerryrockwell.bandcamp.com/album/rainy-day-dreaming

Harmonized Scales and Modes

I have learned SO MUCH from harmonizing the descending form of the major scale, the aeolian mode, the dorian mode, and the mixolydian mode. In the DAD tuning, I start with the D Major Scale up at the 7th fret of the bass string, and move down the fingerboard to 6+, then 5–4–3–2–1–0. The basic idea is to build a chord on each bass note, using mostly the primary triads (D, G, and A or I, IV, and V). I usually like to put Em in place of the G the second time around. to give things a touch of color and to add a little variety.

Here is a 2-page pdf in waltz time with two measures on each chord. The first 16 bars of each exercise has block position chords, and the arpeggios follow below. You can make up your own arpeggios for this as well: be creative!! .

QuaranTUNE 8.0 Registration

The best virtual dulcimer festival on the planet is coming your way on October 6, 7, 8, and 9, 2022, and I’ll be teaching four one-hour classes.

For registration and more info about the festival:

virtualdulcimerfest.com

For my classes below, the titles will link to the registration page for each class (in a new tab).

Here they are in the order I’ll be teaching them:

Soothing & Magical Chord Loops

(Level 3 INT) FRIDAY, October 2nd – Session 5: 3-4PM

In this workshop, you’ll learn some soothing and magical chord progressions that are easy to play and fun. These progressions only have four chords and they are mesmerizing and addictive! We’ll also explore a few arpeggio patterns and melodies that go with each loop. You already know most of these chords, so the challenge will be to keep them flowing along smoothly.

Getting Started With Two-Handed Tapping

(Level 5 ADV) SATURDAY, October 8th – Session 1: 9-10AM

Experience the exciting world of tapping on your mountain dulcimer! Using a tried-and-true method I’ve developed over three decades, you’ll learn to hammer-on and pull-off with your right forefinger, while your left hand holds down familiar chord positions in the first few frets. With a little practice, you will be getting your groove on in no time! This technique is easier than it sounds and it is FUN!!

Peaceful Irish Airs and Lullabies

(Level 3 INT) SATURDAY Session 2: 10:15-11:15AM

Get totally enchanted with these slow, meditative airs from Ireland. “Irish Lullaby No. 1” is an original lullaby that we’ll be doing in a simple, chord-melody arrangement. “Eibhlí Gheal Chiúin Ní Chearbhaill” (“The Fair and Charming Eileen O’Carroll”) is much more mesmerizing and circular.

A Relaxing, Meditative Journey With “Skip’s Heavenly Round”

(Level 4 UpperINT) SATURDAY Session 6: 4:14-5:15PM

You’ll learn one of my original rounds in this session. We’ll be playing this as a solo “Jam-A-Round” here, rather than as a traditional round. This just means that we have the harmony parts and jazzy chords all baked right in. Although the tempo is slow, there is a lot going on in this arrangement. You’ll be able to see my left hand for help with fingering.

QuaranTUNE 7.0 is OPEN for Registration!!!

http://virtualdulcimerfest.com

Here are the three workshops I’ll be offering:

Peaceful Irish Airs and Lullabies (Level 3)

Friday Session 1 (9-10AM EDT)

Get totally enchanted with these slow, meditative airs from Ireland. “Báidín Fheilimí” (“Phelim’s Boat”) is a 3/4 time lullaby that we’ll be doing in a simple, sparse arrangement using a lot of open strings. “Eibhlí Gheal Chiúin Ní Chearbhaill” (“The Fair and Charming Eileen O’Carroll”) is much more mesmerizing and circular.

Soothing and Magical Chord Progressions (2 hour session) (Level 4)

Friday Session 4 (12:45-2:45PM EDT)

In this workshop, you’ll learn some soothing and magical chord progressions that are easy to play and fun. Most have only four chords and they are addictive! You’ll also learn a few of my original melodies that go with them. In the last part, we’ll explore some longer chord progressions that you can use for your own melodies, and we’ll add chords to some descending scales and modes.

Freeing Up Your Playing With Pentatonics (Level 4)

Saturday Session 4 (12:45-1:45)

The ancient 5-tone Major Pentatonic Scale is a great way to jump-start your improvising. You’ll learn how to flatpick this scale, and then we’ll apply it to the main chords you know. You’ll see that there aren’t any “wrong notes” when you play the pentatonics over simple chord progressions. Finally, using the examples of some original pentatonic tunes of mine, you’ll get some insights into building your own pentatonic tunes.

These classes are filling very, very fast (not only for my classes, but for the other fine instructors you may want to study with.

Learning Chords in DAD Tuning (Part 3)

In Part 2 we covered some ways of moving through the D-G-D-A7-D progression that were mostly ascending chord forms. This time we will descend with the chord forms:

And since we also suggested applying these same chord forms to the “Cabbage Chords,” Here you go with the first four measures of the above TAB applied to the Cabbage Chord progression:

Just in case you were wondering, the 4th measure A is really A7, and the A in measure 7 is really an A7sus4.

Thanks for giving these a try!! Let me know what you think.

Learning Chords in DAD Tuning (Part 2)

In the first installment of our D Major chord exercises, we took a look at some of the most basic ways to play the D-G-D-A-D sequence of chords. This time we’ll try some ascending chord forms to give a little variety and movement to the progression.

Now you might be wondering what else you can do with these chords once you try these specific forms. I think one of the first ideas that comes to mind is the universal “Cabbage Chords” progression. Many beginning students of the dulcimer learn the chorus part to the folk song “Bile Dem Cabbage Down” before they learn any other chords:

Now these chords go by pretty quickly, and one way to make them last longer is to “stretch-out” the progression so there is twice as much time on each of the chords. (I have always called this the “Stretched Cabbage Progression”). You can also try the progression in 3/4 time as a waltz……it makes a great Country Waltz!!

Learning Chords on Your Dulcimer

There are many approaches to learning chords on your dulcimer. I like to group the main chords in the key of D together in the lower frets, then the middle frets, and then finally in the higher frets up towards the 7th fret. By playing the D, G, and A chords in this sequence:

D – G – D – A – D

…we can make a nice, musical exercise that has good voice-leading (there aren’t any awkward leaps from one chord to the next), and allows you to work on getting your left-hand fingering smooth and consistent.

So here are six different ways you can smoothly change chords through this progression:

  1. Close Voicings in the first three frets
  2. Open voicings in the first three frets
  3. Close Voicings in frets 1 –> 4
  4. Open Voicings in frets 1 –> 4
  5. Close Voicings in frets 4 –> 7
  6. Open Voicings in frets 4 –> 7

NOTE: Close voicings are the most-closely-spaced form of the chords. I really like these a lot!! They sound so subtle and graceful. Open voicings are when you have larger intervals between the chord members. When you take a glance at the interval spacing in the standard music notation above the TAB, you’ll see what I mean. The open voicings have a big, almost orchestral sound. They are what most dulcimer players grab by default….especially those who use their left-hand thumb on the melody string. With some careful arranging and efficient fingering — you can move from the close voicings gradually to the open, and then on back. Not so easy, but well worth it if you like challenges!!

Ideas, Tips, and Devices You Can Use Right Now – Dulcimer Workshop by Jerry Rockwell

This post is designed to be a listening resource for my new workshop on how you can make your dulcimer playing more interesting and varied by using some common musical devices and tips. These tracks are all on Spotify, though you can find them on Apple Music and other streaming platforms if you wish. This workshop is being given at the amazing North Georgia Foothills Dulcimer Association Virtual Fest.

Pentatonic Tunes

New Release!!

Chord Substitution Ideas on Skip’s Jam-A-Round (Lullaby for a Starry Night)

This part of the workshop deals with easy chord substitution ideas: D to Bm, G to Em, and A to F#m. We’ll use my Lullaby for a Starry Night to illustrate this principle.

Riffs and Sequences

This topic is best illustrated by some tablature and music: an excerpt from my first book of Patreon lessons.

lid_pachfilesDownload

Bm-G-D-A (Lazzy’s Old Brown Cow)

Kate’s Tune, Kate’s Waltz, and Blue Ridge Dream

These tracks are all based upon the same Mixolydian chords, they just have different time signatures and different approaches to the melody lines.

2021 NGFDA Virtual Dulcimer Fest Registration!

Registration for this wonderful online dulcimer festival is coming up today, Friday September 3rd, 2021. This event is put on by the hard-working and dedicated folks at The North Georgia Foothills Dulcimer Association. The festival itself will be held November 18, 19, and 20 of this year. So there’s plenty of lead time to make your plans, but classes tend to fill up FAST in the early hours of registration.

I will be teaching some of my favorite topics this time: Working with the Modes and Modal Harmony, Ideas and Tips You can Use Right Now, Chord Progressions and 4-Chord Loops, and Improvising and Composing With Pentatonic Scales. Here are some free handouts from the last few times I taught some of these workshops:

ModalWorkshopDownload
SimpleChordProgressionsDownload
HarmonizedScalesAndModesDownload

I will include a link to the festival web site below for complete info and details, but first I wanted to offer a chronological flow of my workshops day by day, complete with workshop descriptions:

Thursday, November 18th

Session 2 (10:15 – 11:15 ET) Dorian, Aeolian, and Mixolydian Modes

These are the three modes used most often for Celtic music. Here you will have a deep dive into the character and feeling of each of these. You’ll learn some traditional tunes in each mode, as well as some originals in the spirit of the folk melodies. This is not a theory workshop, but there will be some online resources for you to explore for more understanding. Tuning DAD.

Session 4 (12:45 – 1:45) Freeing Up Your Playing With Pentatonics

We’ll show you how to flatpick your way through some easy pentatonic scales, using alternating pick strokes, and then we’ll apply these to the main chords you use every day. You’ll see that there aren’t any “wrong notes” when you play the pentatonics over some simple chord progressions. Finally – using the examples of some recent original pentatonic tunes of mine, we will give you some insights into how to build your own pentatonic tunes. Tuning DAD

Session 6 (3:15 – 4:15) Simple Chord Progressions and 4-Chord Loops

In this workshop, you’ll learn some new and magical chord progressions that are easy to play and fun. You already know most of these chords, so the challenge lies in learning the sequence of changes. You’ll also learn a few of my original melodies that go with each of these unique progressions. Tuning DAD.

Friday, November 19th

Session 3 (11:30 – 12:30) Ideas, Tips, and Devices You Can Use Right Away

In this session, you’ll make some interesting and unique music using only 5 tones. You’ll try some easy chord substitutions, and learn some of my favorite 4-chord loops to jam around. You’ll discover the power in changing up the time signature, tempo, and groove of a familiar folk tune. And you’ll try some “riffs” that you can move around to any chord you want. Tuning DAD.

Session 5 (2 – 3PM) Freeing Up Your Playing With Pentatonics

We’ll show you how to flatpick your way through some easy pentatonic scales, using alternating pick strokes, and then we’ll apply these to the main chords you use every day. You’ll see that there aren’t any “wrong notes” when you play the pentatonics over some simple chord progressions. Finally – using the examples of some recent original pentatonic tunes of mine, we will give you some insights into how to build your own pentatonic tunes. Tuning DAD

Saturday, November 20th

Session 3 (11:30 – 12:30) Longer Chord Progressions and Harmonized Scales and Modes

In this workshop, you’ll learn some longer chord progressions that can be the basis for jams and your own compositions and improvisations. You already know many of these chords, so we’ll dive right in to some creative music!. Harmonizing descending scales and modes will offer some new vistas. Tuning DAD.

Session 6 (3:15 – 4:15) Dorian, Aeolian, and Mixolydian Modes

These are the three modes used most often for Celtic music. Here you will have a deep dive into the character and feeling of each of these. You’ll learn some traditional tunes in each mode, as well as some originals in the spirit of the folk melodies. This is not a theory workshop, but there will be some online resources for you to explore for more understanding. Tuning DAD.

Here is a link to the NGFDA web site where you can dig into all the details:

https://www.ngfda.com/register-for-2021-fall-festival