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New EP on Bandcamp!

Here is a brand new EP for you at Bandcamp, where I have finally recorded some of my best takes of two pentatonic originals that go back a few years: Five Tones of Wonder, and Koehler’s Pond Meditation. There’s also some brand-new recordings of a few Celtic traditional tunes that have been great fun. These recordings have a bit more color and harmony than usual, and in the case of Ballinderry, I have revamped the tune into a kind of minimalistic, but jazzy round (even though it does not work as a traditional round in its original form). Another Irish tune in this collection is the ever-popular waltz South Wind. Red Is The Rose is a Scots melody attributed to Robert Burns.

Five Restful Tunes for Dulcimer EP

And here is a free pdf tablature download for 4 out of 5 of the tunes here (I don’t have anything in tablature yet on this new South Wind):

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Love This Playlist!

I’ve been curating this playlist on Spotify for a few years now, and it really is one of my favorites. It started out as a very dreamy and sleepy set of tunes, and has evolved into more of a sunrise cycle — a “greet the new day” kind of vibe…..

Waking Up On Cloud Nine:

https://open.spotify.com/playlist/7Hrlwo683AF4fuQURPJsv5?si=cRw3Jlr4TmefYHjAXg9qMg

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New Single Coming Soon!

NineBridgesLamentation

This is a brand-new version of an original tune from about 1993. It is in the spirit of an Irish slow air, and it has strong modal flavoring throughout. The original recording was just solo acoustic mountain dulcimer….fingerpicking style and just some open string drone in spots. This new recording uses a few tracks of  electric dulcimer, along with some ambient wash in the background. I have also added more chords: making it a bit less of a dronal texture.

Here is the link for doing a pre-save on the major streaming platforms:

Nine Bridges Lamentation 

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Canterbury Dreams

Well now…..I have to say that I’m on a bit of a roll with some new compositions and musical experiments….. and I am delighted to share these with you here!

Starting with some of the most recent tracks, I’ve been busy working through the long chord progression that is quite similar to the one in Pachelbel’s Canon in D – but it is not exactly the same. Also the melodic structure is very different: these are kind of “meditative studies” that are very relaxing to play as well as to listen to, and they have a way of evolving over the months and years that I’ve been at this project.

Here is one of my latest tracks, called Canterbury Dreams: