I’ve been very busy in the last three or four months with producing these tracks in my home studio. I don’t remember a time in the past where I was so dedicated to getting a collection of tunes out, and getting everything sounding right.
I went into 2025 with a surge of interest in recording my own handcrafted dulcimers acoustically, using just a decent quality condenser mic. Much of my recording over the past decade has been with magnetic humbucking pickups — usually placed over the strings with device that hold the pickups securely. These pickups do a great job of amplifying the dulcimer, and they work incredibly well with the immersive and ambient reverb plug-ins I use with Logic Pro software. The downside is that they make the dulcimer sound VERY similar to an electric guitar.
Two tracks on this new EP that use mostly just acoustic dulcimer and acoustic guitar are the opening track “Allison’s Infinite Round I” and track 5 “Safe Passage Round II.” I think you will hear a difference in these tracks: to me, I notice the increased dynamic range of the dulcimer and acoustic guitar. There is also a fragility or delicacy in the tone, though there is also a certain kind of acoustical power that really kicks, particularly on the high-end.
https://jerryrockwell.bandcamp.com/album/safe-passage-to-green-fields







You must be logged in to post a comment.