Category: New Releases

New EP at bandcamp!

This EP is partly a retrospective, with three tracks going back to 2019 and 2020 (Canterbury Lullaby, Jenny’s New Dreamscape, and The Light Always Comes), and two fairly recent tracks from earlier this year (Allison’s Infinite Round I, and Firefly Duet).

The three earlier tracks were remixed and remastered, and this took a lot more time than any other production in recent memory. I have taken advantage of the new mastering assistant in my Logic Pro Digital Audio Workstation, and I have made some progress in my audio engineering – particularly with getting levels balanced and consistent.

Most of these tunes have two or three tracks of electric dulcimer, with some standard DAD tuning, and some baritone AEAA tuning (Allison’s Infinite Round is tuned a whole step up to B-F#-B-B).

https://jerryrockwell.bandcamp.com/album/canterbury-lullaby-ep

Brand New EP at Bandcamp!

This is East Beach on Lake Erie in Lorain, Ohio. "Twilight At East Beach" is the title of my EP on Bandcamp

It has certainly been many moons since I released anything on bandcamp, but I’ve been working diligently on some more meditative dulcimer instrumentals, and I have a 4-tune EP ready now……just in time for “Bandcamp Fridays” (where the platform forgoes their share of revenue on the first Friday of most months).

These are some tracks that took more time for me to get exactly the right production, and I’m learning a lot about audio engineering with each track.

“Kate’s Waltz” is a 3/4 time version of my original “Kate’s Tune” which first appeared on my Singing Messenger album, way back in 2016. It is based on a mixolydian chord progression which was generated by a harmonized descending mixolydian mode. I have used this for many other titles, including “Blue Ridge Dream” (also in 3/4), “November’s Waltz” (from the early years of my Patreon lessons), and also the last track on this EP “Continuous Lines 218.”

“Magic Mountain Sanctuary” is a continuation of my “Magic Mountain Solitude” tracks, and I’m tuned a half step up from my usual DAD tuning – to Eb – Bb – Eb. The chords are a stretched out version of the “cabbage chords” (well-known to many dulcimer players!), and there is an arpeggiated keyboard track in the background to set the groove.

The title track “Twilight At East Beach” is inspired by a beautiful beach on Lake Erie, in Lorain, Ohio, not too far from Cleveland. This one is actually in the key of F and uses an 8-bar progression I constructed from joining two 4-chord loops. These days, I usually play in the key of F by tuning CGC and keying off of the F chord as the center, but not using a capo. This track has a few synth pads to create a backdrop for the very high-pitched dulcimer melodies.

Anyway, here you go if you want to check it out. Thanks for listening!

Twilight At East Beach EP

New EP Release!

I have a brand new 7-track album of meditative instrumentals on my dulcimer, available at bandcamp. This collection is focused mostly on my baritone dulcimer (tuned AEAA in 4-string equidistant spacing). Some of the selections are out here on bandcamp before their official release dates: Mystic Light Meditation, and Lullaby for Kate.

Along with the extra warmth and richness of the acoustic/electric baritone, these are more ambient and immersive productions than most of my recent output. They should be great for meditation, yoga, daydreaming, or just getting some restful sleep.

https://jerryrockwell.bandcamp.com/album/rainy-day-dreaming

New EP on Bandcamp!

Here is a brand new EP for you at Bandcamp, where I have finally recorded some of my best takes of two pentatonic originals that go back a few years: Five Tones of Wonder, and Koehler’s Pond Meditation. There’s also some brand-new recordings of a few Celtic traditional tunes that have been great fun. These recordings have a bit more color and harmony than usual, and in the case of Ballinderry, I have revamped the tune into a kind of minimalistic, but jazzy round (even though it does not work as a traditional round in its original form). Another Irish tune in this collection is the ever-popular waltz South Wind. Red Is The Rose is a Scots melody attributed to Robert Burns.

Five Restful Tunes for Dulcimer EP

And here is a free pdf tablature download for 4 out of 5 of the tunes here (I don’t have anything in tablature yet on this new South Wind):

FourOfFiveRestfulTunesDownload

Some New Tunes!

Golly, this quarantine has led to a whole bunch of creative work from so many artists all over the planet! I have been incredibly busy too: working on formatting block chord TAB in a table format on this blog (A LOT harder than you might think!!!), learning Finale (for the 3rd or 4th time!), and laying some new track ideas in Logic Pro X, which is the subject of this post.

Here is a tune I recorded a few days ago:

SummerTune No. 1

May 2020 Dulcimer!

NEW RELEASE On Bandcamp!!!

Bandcamp is forgoing their share of revenue today, May 1st, so if you decide to download some of my new music, I will get 100%. This is a very helpful and generous gesture from a GREAT company! Many of us musicians and music teachers have been hit pretty hard by this COVID-19 Quarantine: we’ve had many gigs cancelled and festivals postponed or cancelled altogether. So this income helps a LOT!

My brand-new May 2020 Dulcimer EP just went live at around 7AM this morning. There are 6 tracks here representing some of my BEST work-in-progress. It is not available anywhere else (yet, anyhow) and all my recent EPs from earlier this year are “Pay what you want” including ZERO (you just enter “0” in the pay field).

Jerry Rockwell at Bandcamp

I hope everyone is getting through this COVID-19 Quarantine OK. Not much fun for us here in Northeast Ohio, but we’ve got some acres of trees around us, and life isn’t too different in many ways.

Skip’s Round (and Jam-A-Round!!) TAB and Music Download

This original tune is part of my 2017 Patreon lessons, and it is a FUN tune I keep coming back to over and over.

Skip’s Round 2017 5-page e-bookDownload

1.) The first page is basically the main melody (16 bars), with an 8-bar sparse bass part at the bottom. The latter may be used as sort of a ground for the whole tune, even though the next two pages have some specific “ground” parts to be used throughout – especially for group play.

2.) These next two pages are the parts for a round or a “Jam-A-Round” as I like to call it. This basically means that you can plug in any 8-bar part anywhere you want, so you have freedom to mix-and-match.

You’ll see some very “bare-bones” parts on these pages, consisting mostly of half-notes. These represent what you might call guide-tones or structural pitches. These are really cool, as they show us the overall contour of a melodic design: kind of the essence of a melody.

For me personally, they often serve as clues for when I want to change chords or harmony. For example, if I see a continually-descending melodic line, that’s my cue to try an ascending harmony part. This often creates a workable harmony with a minimum of “thinking” !!

The other use for these bare-bones parts is that they make a GREAT group playing experience, especially for players just getting started!

3.) The last two pages were the Intermediate Level when I first published them in 2017. As I’m looking back on them, and playing through them again right now, I’m getting oodles and boatloads of ideas!! I’m even writing some brand new parts!!! These color-chord harmonies add just a touch of jazz harmony with the minor 7th chords, but I have to be careful not to use too many — and not to use any Major 7th chords at all — because the result is often way too sweet and thick. (remember that much of my current music is extremely simple and minimalist, so that I’m really a less-is-more sort of guy. You may want to try more of the “tall chords” like the seventh and ninth chords for your own arrangements).

New Single Coming Soon!

NineBridgesLamentation

This is a brand-new version of an original tune from about 1993. It is in the spirit of an Irish slow air, and it has strong modal flavoring throughout. The original recording was just solo acoustic mountain dulcimer….fingerpicking style and just some open string drone in spots. This new recording uses a few tracks of  electric dulcimer, along with some ambient wash in the background. I have also added more chords: making it a bit less of a dronal texture.

Here is the link for doing a pre-save on the major streaming platforms:

Nine Bridges LamentationÂ